About Me:
I
am 23 years old, my name is Billy Mabrey, and live just outside of Dallas, Texas in the City of
Grapevine, Texas which borders the DFW international airport. I've lived here since 1988
when I was a mere 5 year old kid, watching airplanes fly overhead and the
moon and stars on clear nights. I am now a 2005 graduate of
Southern Methodist University with a B.F.A. in Studio art, with
concentrations in Photography and Printmaking.
So far in this life I have been only a child, occasional long-term
boyfriend, student, graduate, and a part time Pizza Guy when the bills
need to be paid. I am hopeful to get started in a career as a full-time
professional photographer.
I have a wide range of random interests including Music performance and
Recording, Acoustics, Cosmology and Astrophysics, Mathematics, Aquariums,
the mind and perception, and of course Photography and Art.
I started printing Gum Bichromate prints during College when I learned
the process and found a
knack and love for it almost immediately. Throughout life I have found I am pretty
good at anything I attempt, causing friends or peers sometimes to be
envious of my
abilities. I never hold short on helping them learn as well. It isn't luck,
or talent really. It is purely trying to understand every facet of how
something works. I know how to use something effectively only after I know
almost every aspect about it. Gum printing is no different. |
Shows
I have shown my work publicly few and far between, aside from the
frequent critiques with classmates and professors. Also, I have received a few
awards for my work. I would like to one day expand this list of
accomplishments, of course.
-
Grapevine High School Spring Art Show - 2001, 1st Place Senior Portfolio
-
Bachelor of Fine Arts
Qualifying Exhibition - May 2005, Pollock Gallery at Southern
Methodist University, Dallas, Texas.
-
Surfacing - May-June
2005, The Mckinney Avenue Contemporary, Dallas, Texas.
-
Visions (group show)- October 2006, The UNT Medical Science Center, Ft.Worth, Texas.
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The Statement:
In my work, I often
explore the world behind what people normally choose to perceive. Be it
the physical clockwork behind places and things, or a thought or feeling
about the subject of an image. Photography allows me to do this by
objectively retaining most of what was there in the world at a location of
space and time. Using the photograph as a template, and through the
selective and additive editing processes of printing, I bring my own
vision into existence.
My interests in human perception and physics have given me a new
outlook on existence, new to myself at least. I do not believe in any mythological gods or
tinkering spirits that meddle in our affairs. Religions and new age
philosophies give way to further blinding of perceptions, and that is the
root of misunderstandings, wars, and terror.
I believe in a chaotic and random universe where we arrived over
fathoms of time lengthy beyond our perceptions from clanking elementary
particles in a dance of physical laws of gravity and quantum mechanics,
able only now to perceive in some limited fashion the place that gave us
existence. We are accidents of the cosmos. That idea is more magical,
more mysterious, then a being who one day on a whim of boredom spoke, "let
there be light".
The image to the left looks straight down, and also out across the
horizon at the same time. The photograph is less about the subject of the
photo, some scene at the beach. It is a photograph about our own position
high above the ground. We find our bearings from an awareness of what
direction gravity pulls and the assurance of a stable horizon that follows
our altitude. This image casts both signals to our minds at once causing a
disoriented yet clearer perception of what was "really" there.
We are, in fact, still blinded from
a great deal of the strange place in which we live. We can only see so far, hear
so many frequencies, see so many wavelengths of light, or notice only a
moment of time. We are only indirectly, inaccurately observing our
universe as our physiology allows.
The colors we see and the sounds we hear are in our
minds constructed from the physical input, not in materials themselves. We
are tricked from birth into seeing a world which we created from the
seemingly existent objects around us, constantly weighing and debating in
our minds what we are experiencing.
Our Bodies are cameras and our minds are photographs.
The world that exists is raw. I cook the world into my own
with every perception and experience I make of it, and with every tool I
use as an artist. I am glad to share my delicacies with you.
I am, as you, an
interpreter of the universe. |